This guest post comes from Shutterstock footage contributor Daniel Hurst, who recently took us for a behind-the-scenes spin with his new MōVI rig.
It’s been a few months since I first got my hands on the MōVI, and it’s been a great tool on many of our VIA Films shoots since then. We’ve had the opportunity to really run it through its paces — shooting handheld from cars, ATVs, bicycles, skateboards, and even helicopters. And while the MōVI is very easy to simply pick up and start shooting with, there is a learning curve with several aspects of the system. Here are a few tips for working with this great piece of equipment.
1. Follow the instructions!
Unlike a lot of gear out there, the MōVI is so new and complex that is really pays to follow the instructions carefully. Freefly has also put together some great video tutorials on its website.
BMX Rider Doing Tricks in a Dark Warehouse by VIA FILMS (MōVI shot)
2. Balance and setup is critical.
Correct balance is probably the most important factor when using the MōVI. The better balance you have, the better the MōVI will function. It is worth taking the extra time to make sure the balance is perfect.
3. Keep it simple.
There are so many ways to configure and use the MōVI that, at first, it can be a little confusing. To start, don’t worry about using the remote controller — just learn how to use the MōVI in single operator (majestic mode). We use majestic mode about 95% of the time.
Start with just a camera body and add accessories as needed; it’s easy to overdo it when you start adding accessories. Adding cables can reduce the effectiveness of the unit, and powering accessories can also be a pain. You can do a lot with just a simple camera and monitor setup.
Puppy Running in Front of a Suburban House by VIA FILMS (MōVI shot)
4. Bring a laptop or tablet on location.
Fine tuning the motors on the MōVI is done using software. Any time you make an adjustment or re-balance, you will want to tune, so always have your laptop or tablet handy to make any adjustments on set.
5. Initialize the camera first.
When you power up the MōVI, you must have it mounted to the stand and on stable ground. If you’re going to be shooting from a helicopter or boat, initialize before you go aboard; the camera will not be able to initialize with movement. Do not power the MōVI down because you will not be able to initialize again until you are on stable ground.
Check out exclusive video of Daniel Hurst’s MōVI shoot with Shutterstock and more MōVI clips in our behind-the-scenes feature. For more from Hurst, explore the full VIA Films footage collection.
