Lungulov-Klotz worked with a crew of just five people, including himself. This allowed him to keep costs down and move quickly through production.
Limited Time
Lungulov-Klotz shot the film in just 12 days. This required him to be extremely efficient with his time, and to plan every shot carefully in advance.
Casting
Lungulov-Klotz cast the film with non-professional actors, many of whom had never acted before. This gave the film a naturalistic feel, and helped to create a sense of authenticity.
Filming
Lungulov-Klotz shot the film on a Canon 5D Mark II, a relatively low-budget camera. He used natural lighting and avoided special effects, which helped to give the film a raw, handheld feel.
Editing
Lungulov-Klotz edited the film himself, using Final Cut Pro. He spent long hours in the editing suite, fine-tuning the film's pacing and structure.
Sound Design
Lungulov-Klotz designed the film's sound himself, using a variety of found sounds and original recordings. He worked closely with the composer, Ivan Pavlovic, to create a soundscape that was both eerie and atmospheric.
Result
Vuk Lungulov-Klotz's The Sacrament is a powerful and atmospheric drama that was made with a small crew, limited time, and a shoestring budget. The film's success is a testament to Lungulov-Klotz's talent as a filmmaker.