To achieve the film's distinctive monochromatic look, Messerschmidt drew inspiration from timeless black-and-white classics like "Citizen Kane" itself, "The Apartment," and "Double Indemnity." He aimed to capture the essence of those films while also bringing a contemporary aesthetic to the table.
One key element in achieving the desired visual style was the choice of camera. Messerschmidt opted for the ARRI ALEXA LF camera, known for its ability to produce stunning high-resolution images with a wide dynamic range. This allowed him to capture intricate details and nuances in the black-and-white palette.
Messerschmidt also paid meticulous attention to lighting, employing a combination of natural light and artificial sources to create depth and texture in each frame. He used a variety of lighting techniques, such as soft lighting for intimate scenes and hard lighting for more dramatic moments.
To further enhance the monochromatic look, Messerschmidt worked closely with the production designer, Donald Graham Burt, and costume designer, Trish Summerville, to ensure that every element of the film's visual landscape complemented the black-and-white aesthetic. This included designing sets, costumes, and props that would create visually interesting contrasts and shadows.
One notable aspect of "Mank" is its use of carefully chosen locations, including real-life Hollywood landmarks like the Ambassador Hotel and the Hearst Castle. Messerschmidt had the opportunity to shoot these locations in both daylight and nighttime, allowing him to capture the changing moods and atmospheres of the era.
Messerschmidt's creative choices and technical expertise resulted in a visually stunning film that pays homage to the Golden Age of Hollywood while injecting modern filmmaking sensibilities. "Mank" serves as a testament to the art of cinematography and the power of black-and-white filmmaking in creating timeless and evocative imagery.